Unless I have a terrific brainstorm between now and when I return this gem back to Santa Claus, these will be my first and last images from the Semi Achromatic Series I.  The Semi Achromatic are/have been very hard on my now 60yr old eyes.  I'm just now snapping out of about a 4 day headache from doing the last of these shots.  It's strange, I don't get headaches right after I shoot, they wait a day and then go crazy on me.  All in all though, Jim having the kindness to loan this lens to me was a blessing.  Again, thanks Jim.

My observations are that the Series I gives an image a sparkle and excitement that's the best of what the Pinkhams are all about.

The first of the 3 shots 'Apothecary' refers to the Apothecary type jars that pharmicists used to use to stockpile and separate their chemicals/various sundries.  This was shot @F11 because shooting wideopen produced nothing but detailess white.   A point of interest is that I used a beauty light from behind to illuminate the jar, but what you're seeing behind the jar is an almost perfectly formed disc of flare produced by the lens which obscures the light.

Metal Bowl was exposed between F6-8. and this was shot w/Ilford FP4.

Ever hear the phrase 'A light went on in my head' when somebody refers to the seemingly spontaneous generation of an idea?   This is what I was thinking of when I did this shot.   This is a 25 watt lightbulb.  exp. was also halfway bet. F6-8.   I used up my last 2 sheets of Polaroid doing this shot.  I sick about running out of Polaroid, but happy it was used up on this shot.

     Santa Claus came back to my house for a second time just after Christmas, and this time he was disquised as Jim Galli.  After showing me some of his wonderful toys including one of the nicest 5x7 wooden Graflexes I've ever seen, I was presented w/his 12" Pinkham Smith Semi-Achromatic Ser I which he has loaned me for a brief while to play with, and for that, I'm eternally grateful.  I never thought I'd be able to shoot with all three of the major lenses from Pinkham Smith line.

     I'm going to shoot as much as I can in my fashion and see what happens.   I've shot enough to notice the difference in personalities between my bucket, the SA Series III, and the SA Series I.   Jim's Series I is 'SPARKLING', w/a lot of 'POP/FIZZ' kind of boldness.   The glow/flare hangs closer/tends to produce a narrower band of flare around whatever SM is producing the glow.   The Series III is naunced and crisp and cerebral, the Series I is visceral and bold, it's got 'Panache'.  

    Take these as generalizations that may not hold true for every shot, because each shot I've ever shot w/the Ser. III, is different and sometimes way different and I'm sure Jim would say the same thing, and in terms of what I've said about these lenses and their 'personalities', depending on the shot, they could very 'switch places' in what they produce.   Unpredictability is their ultimate charm anyway.

   This is my first shot w/the Ser I.   Picking up on what I've learned from the Ser. III, I decided to go straight 'down the pike' into one of my beauty dishes w/the modeling light on, and see if I could come up w/something.   This is very similar to a beauty dish, its a mid-grey coated 18" refector that's no longer sold by White Lightning.  I can't fathom why they quit producing this reflector, because I've always considered its light very beautiful because of it's grey tone texture instead of the white coating most reflectors/beauty dishes tend to have.     Being mid-grey instead of white, I used this reflector to shoot into because I thought I'd have more of a chance of getting detail/nuance instead of garish/detailess white when shooting at a light source like this w/this type of lens.

   I took several shots to approach getting something I liked, since wideopen F6 shooting at this produced nothing but a white garish, detailess nightmare.   Around F11 brought in some detail and nuance w/Polaroid 804(the last of my 804 will be expended on my work w/Jims Ser I.).

   Thanks again to Jim, I'm taking care of the lens, nobody else goes near it.  After this project is over I get to say I had my hands on a Semi-Achromatic Ser. I  from 'Santa Claus' long enough experience this great lens close-up.