The Pinkham & Smith Visual Quality IV- 'Par le Verre'
I kept thinking of 'Through Glass' when I shot this, so I figure the French translation of this sounds better. Getting around to 'airing out' the Pinkham VQ, I've shot more still lifes/glass than I had ever intended, and now I'm exhausted, and also exhausted for now in what I've had to say about still lifes, and it's time for me to do something else. I want to quit while I'm ahead.
This is frosted glass mostly and all backlight shot wideopen. I gotta tell you what's great for me about shooting w/the VQ...........no headaches.
It's been fun, but I'm done.
Reader Comments (3)
Hi Jonathan,
an absolute fantastic series. I could not tell wish I love most because each one is unique and awesome. I wish I would have more time for practice with my old lenses.
All the best
Stefan d
Could not agree more. Wonderful interpretation of light Jonathan.
Steve
Hi Stefan, hi Steve
Thanks for the extremely kind words. I gotta tell U that in using both the SerIII and Ser I Semi-Achromatics and then the Visual Quality, the Visual Quality will handle a wider spectrum of lighting schemes.
By virtue of the great folks here and others, the story told by these lens goes on.
Take care