Entries in Wollensak Velostigmat (4)

Inspired by the 12" Velo

Jonathan's 12" Wolly pictures inspired me to try my hand at something. It's also a 12" with the fuzzulator's stop shaved off. This was shot with the fuzzer unscrewed about 2.5 times and the iris shut down to f/11. No swing, and noattempt to get everything focused in the frame. The subject is some abandoned commuter train coaches. The focus is on the lamp-like thing just in front of the second train car. Film is Efke 25 8x10. It doesnt look like much in this resized presentation, so the follow on is a 4x5 crop. In the latter, you can see the effect better.

Full 8x10:




 Cropped 4x5



Posted on Saturday, October 4, 2008 at 11:20PM by Registered CommenterGeorge Bogatko in | CommentsPost a Comment

Square


This image is the result of using the most unsung Classic lenses, the Wollensak Velostigmat II, and sheer luck.  That's because the image was made w/almost 10yr old Polaroid 804.  

Exposure was using the Ray Charles exposure technique, I set my meter to its 'OLD ASS FILM' setting, which was EI40, metered the light source @ F8.5, and then set the lens to F4.5 as a guestimate to compensate for bellows extension and 10yr old outdated film.

I went in my garage looking for simple tools/items to shoot, the subject matter by itself isn't what intrigues me about the shot, but texture.


SQToolSep%20copy%202.jpg 

ZuluHat-Wollensak Velostigmat-Polaroid 'Chocolate' process

Steve..........This is the Velostigmat w/the Polaroid 'Chocolate' process(809 color neg onto 804 positive w/b&w chemical pod).  Purchased from Equinox, this was my first classic lens in LF, a magical lens for not a lot of money.  Incidently, it's hard to take my eyes away from your Raptor shot.


ZuluHat%20copy.jpg

Posted on Saturday, August 18, 2007 at 12:44PM by Registered CommenterJonathan Brewer in , , | Comments2 Comments

Wolllensak a very pleasant surprise


Throughout a large part of my photographic life I have used and loved a Hasselblad system. Wonderful lenses, so easy to use and basically the only camera I wanted to use. The Hasselblad is wonderfully sharp, but sharpness is not everything for me. I parralleled my medium format work with a 5x4 for the past 30 years but most of the time I chose the Hasselblad due to the desire for the type of image it produced. Although a Hasselblad outfit was expensive, good large format cameras and lenses required a very serious bank roll. Then came digital and many people abandoned many of the larger cameras for very little money. For some reason I ended up with 3 5x4 cameras in a short space of time and a developing collection of lenses.
 
For some reason I held the view that because it was an old lens it wasn't going to be any good. It is wonderful to be proven so wrong.
The following images are all done with a variety of Wollensak glass from about the 1920-1950 time period. My only problem now, and it is a problem, is which lens do I leave at home :)
 
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Posted on Saturday, August 18, 2007 at 03:16AM by Registered CommenterSteve Nicholls in , , , | Comments1 Comment